My work embraces and deconstructs the romanticized stereotypes of women by simultaneously addressing other, more contradictory aspects of the female psyche. While my subjects can play the stereotypical roles of Martyr, Victim, Seductress, Goddess, and Whore, they are also mortal, selfish, predatory, repulsive, violent, strong, and virtuous.

I draw inspiration from art historical images of women, as well as women that I know. The imagery in my work stems from a variety of impulses that come through connections I make to such simple things as a memory I have, a story my mother shares, or a photograph I see in a magazine.

I intentionally use historical painting techniques from the turn of the century. I find the use of romanticized imagery in this style of painting appealing in large part because of how these techniques were used in an agenda to share news with the general public. Turn of the Century artists presented images of places, events and people that gave the common person access to knowledge through representational painting.

The women in my work are actively engaged in the narratives of their lives. They seem to exist beyond the objectifying limits of the male gaze. Addressing the contradictory elements of female iconography is more truthful, holistic and engaging than the familiar, oversimplified idea of women found throughout art history.